Showing posts with label Ethnographic Studies. Show all posts
Showing posts with label Ethnographic Studies. Show all posts

Friday, November 16, 2012

Notes from the Field: The Classic Birthday Cupcake

It's no surprise that I love me a good birthday celebration.


I'm all about the birthday signs, the party hats and the crazy nights out. But I reserve a special kind of celebration for my nearest and dearest people. 

It seems like the older I get, the more I value my truest friends. And if the past weeks of chaos in the northeast have taught us anything, it's that these kinds of connections are to be held very dear. 


I'm talking about the kind of friends that don't play games. They are honest, true and direct. They are without expectations and are full of respect. When you meet people like this, you know that you're kindred spirits. Whether introduced by fate, friends or virtual connection. The ones that know your secrets, your passions and your values just by being in your life. And so, these are the people that you look forward to celebrating most.

I think vanilla bean cupcakes with double vanilla buttercream and rainbow sprinkles do it best.


Now, it's not typical that I share my recipes, but I do believe that every baker should have a good classic birthday cake recipe on hand for celebrations such as these. So after the jump, you can find mine.

And so, happy, happy birthday to my sweet and true friend, Silvie. Here's wishing you a new year filled with happiness, love, fortune, wild adventures and much much more. 



Thursday, October 18, 2012

Notes from the Field: An anniversary.

 


Four years ago, I started a blog. 

I'm not quite sure what drove me to this madness. Perhaps it was because I was twenty-three, over the top and running with a pack of international Philadelphia foodies that were 8-15 years older than myself. Or maybe it was because I needed a place to diary my travels as a young anthropology major working in the insurance industry and trying to make sense of it all. Journals were never my strong suit, so maybe this could work. Regardless of the reason, "The Cupcaketologist" came to existence in October of 2008. 

It started fast, and I had plenty of tasters. My first posts were lofty. I baked chocolate salted caramel cupcakes, inspired by some odd Marcello Mastroianni dreams. My chef friend approved, but advised that next time I should use Maldon. 

Next came one of my signature and most beloved cupcakes ever made: honey and fig cake topped with goat cheese buttercream and a carmelized fig.  

  
Now I had everyone's attention. I even created a logo (by hand,using old recipe books that I folded, glued, scanned, and inserted into the blog).

I did bacon before bacon was cool.



I concocted disastrous malted egg cupcakes after a rough day of work and made the epitome of my confectionary dreams come true: the foie gras cupcakes that had me dancing around my kitchen like a fool.

 

I featured pets.


I chronicled my travel diaries through cupcakes. From Newport to Austria, England, France and to Italy more than anyone could even count.




I baked my way through birthdays, breakups, and more than one career change.




I made a lot of cupcakes inspired by New York. From Woody Allen's New York...


To the architecture of New York (I was reaching here)...


To a recent spin around Central Park in the fall.


My cupcakes won awards, raised money, and were commissioned for parties, companies and gifts. 





It's funny to think of blogging today and what it was back then. Now people do it for money. They do it for fame. They publish books from their blogs and they travel around the world as marketers for brands. 

I'm not sure that this will ever be like that for me. My blog has introduced me to a lifetime of experiences, and I think those are things more valuable than anything easy to spend. It's opened doors to friends, to conversations and to a whole side of myself that sees baking as a therapy, a passion and an art. A side that bakes to soothe, to make sense of my crazy imagination, to feed my friends and to translate experiences from my past and present into something tangible and good. I also did it for the writing.

This blog has followed me from a tiny Naudain Street galley to my Wall St. apartment with a dishwasher (!!). From kitchens in France and the South Coast of England to nearly every Philadelphia oven I could find. These are the moments, the times and the places that in some wild, whimsical and very strange ways have helped define life in my 20s.

Thank you for being part of my journey so far. 

Friday, July 6, 2012

Notes from the field: On summer.


 "Summer is late, my heart.
Words plucked out of the air
some forty years ago
when I was wild with love
and torn almost in two
scatter like leaves this night
of whistling wind and rain.
It is my heart that's late,
it is my song that's flown.
 
 

Outdoors all afternoon
under a gunmetal sky
staking my garden down,
I kneeled to the crickets trilling
underfoot as if about
to burst from their crusty shells;
and like a child again
marveled to hear so clear
and brave a music pour
from such a small machine.
 

What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
One season only,
and it's done.
So let the battered old willow
thrash against the windowpanes
and the house timbers creak.
Darling, do you remember
the man you married? Touch me,
remind me who I am." 
- Stanley Kunitz


 

Desire, desire, desire. So lucky for me, my summer has finally arrived, and just in time. The sun is hot and the grass is green. The ocean is a baptism for tired winter bodies and the weekends provide endless opportunity for adventure and awe. 

Summer also gets sweet with these ripe strawberry cupcakes with balsamic spiked vanilla buttercream and local strawberries on top.

So relish in it. Drink it up, enjoy the magic, and remember that manifesto of a summer child is to let the season perpetually astonish you. 

Wednesday, February 3, 2010

Ethnographic Study 2: On Plastic Babies and the Intersection of Art and Science

"If cooking is an art, 
baking is a science" 
- King Arthur Flour Catalog

I don't think I've ever met anybody as enthusiastic about perfecting her cupcakery skills as Lee, and so our next Ethnographic Study in cupcaketology comes from her own eager kitchen right here in Philadelphia.  Lee, a research specialist, will be the first to tell you that practice makes perfect when it comes to trying recipes, but it is her creativity and hilarious reasoning that best chronicle her kitchen adventures and an evolution in piping. 

Wednesday, January 27, 2010

Ethnographic Study 1: Neon Neon


One could argue that every bit of art, tangible, imaginable, and yes, edible, is derived from some inspired moment. So, it brings me nothing but absolute pleasure seeing both cake connoisseurs and oven averse alike diving into their own endeavors in cupcaketology, and telling me all about it.  Over the next weeks, I will share the inspirations, trials and successes of the baking adventures of dear friends, in their own words. 

To kick off the series, we'll travel to the south of England to explore the hilarious kitchen artistry of the ever-inspiring Molly, rad girlfriend and Creative Director mastermind behind The Neon Hive. 

The Neon Tannenbaum  

"It's difficult to pinpoint the exact moment that inspiration, the bravery, the delusion to bake struck. Having spent an afternoon hanging out in a friend's vintage pop-up shop, an evening chillaxing with an overly indulgent pile of magazines, an idea began to brew...

The holidays were approaching and they guaranteed lots quality playtime with 7 year old god child, Lola, so conjuring up something to keep us (both) entertained was much needed. Lola's always loved all things arty, crafty and the more glitter, the better! But she's also loving playing waitress these days, and after our lazy summer in the south of France, I've learned she's acquiring an eager desire to learn to cook.  Entertainment was clearly going to be centered around "making a mess" - one way, or another. 

Whatever possessed me to believe cupcakes and minimalist monolith trees were the answer still escapes me but we had our creative mission set.


Friday, December 18, 2009

Case Study 39: "Untitled (The Nightmare Before Christmas)"

"The moon that hung over the new-fallen snow
Cast an eerie pall over the city below,
And Santa Claus's laughter now sounded like groans,
And the jingling bells like chattering bones..."




Every year, around this time, I go into production. My house becomes a veritable mess, filled with sugars, yarns, glitter and flannels, serving as a sort of secret fortress of kitsch in which I am driven bring the ideas that enter my mind to life.  Tim Burton once said "one person's craziness is another person's reality," a mere afterthought for a sort of mad scientist who makes doodled imagination-gone-wild come to life.  A daydreaming boy of tragic toys turned dissatisfied Disney animator, Burton took to the pen, the brush, and the camera to make his inspired and satirical views a reality.  Extramarital affairs with machines and crustaceans spawned Robot and Oyster boys; a Voodoo girl was fated for loneliness less each heartbreak puncture her core deeper.  And a forelorn skeleton, seeing the light on the other side, haphazardly tried to bring a little Christmas heart to spooks of Halloweentown.    


"Untitled (The Nightmare Before Christmas)" is a red velvet cupcake with cream cheese buttercream and twisted black buttercream swirls.  Dreamed up, sketched out, and Burtonesque at its best, it's jagged, imperfect, and topped with madness.

It's Christmas Eve, 1994. After hours of "seven fish"-feasting , fireside tumbling, and spritzer cookie sneaking, my cousins returned home to their own sleepy little Connecticut town.  We'd creep into our rooms and turn down our beds to reveal mysterious new flannel sheets.  Tucking in, the candles in our windows still sparkled behind the blinds, blinking a sort of morse code to the North Pole that this house was indeed a worthy stop. 



But sleeping never lasted long. I would spring awake, at 2 or 3 am, engulfed by darkness, to noises on the rooftop.  I was instantly scared, certain that amidst the snow drifts were Santa's reindeer parallel parking above my head, yet intrigued by a potential sighting of the man in red himself. But weary in my 10-year old bones, I faded back to sleep before giving it an afterthought.  

Though I'll never know who it really was caught in those icy swirls above, I can only trust that as the mysticism of Christmas whirled around me, my imagination around the holiday ran savage.  With craziness as my reality, the season will always inspire me to pull from my twisted dreams and create.  After all, a Merry Christmas to all, and to all a good fright...

To be inspired yourself, check out Tim Burton's retrospective at the Museum of Modern Art until April 26, 2009 in New York City.

Wednesday, October 14, 2009

Notes from the Field: Ethnographic Studies in Cupcaketology


While anthropology aims to look outward to understand what's inside, to truly grasp the essence of, well, our "humanness", sometimes we need to spend more time. Anthropologists use ethnography, a holistic experience-based study, to understand culture in this truest context.

Drumroll please...

The Cupcaketologist is launching an set of ethnographic and collaborative case reports - a true study in friendship, life history, and shared kitchen chaos,
freshly baked from the ovens of friends, families, and more.

Because who better to help us understand ourselves than the people that we share our lives with...


Photo: Margaret Mead, Samoa. (via)